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" All humans have a language. We speak within
our language differently. Our Personhood is signaled by how we embellish our language to make it maximally individualized. By language embellished, I. "
-Stuart Saunders Smith
This is a work for spoken word with percussive sounds in the third and fourth movement.
Number of Players: 1
Difficulty: Grade 5
Instrumentation:
2 Radios
Glass
Three Metronomes
Deck of Cards
Chopsitkcs
Hack-Saw Blade
Table Knife
Empty Can
Two pieces of Sandpaper
Typewriter
Thirty pennies
A Cup
Metal Teapot.
Three Empty Cans
Large Cardboard Box Medum Sized Saucepan
Smooth Stone
Stuart Saunders Smith is an American composer, editor, and poet. He earned a DMA in composition at the University of Illinois, he studied with Edward Miller, Edward Diemente, Slavatore Martirano, Herbert Brün and Benjamin Johnston. Smith has come to create a diverse and unusual body of musical and literary compositions. His music is impressive in both the breadth of its scope and the richness of its diverisfication. As a reflection of the multiplicity, his scores themselves stand out as exciting and orginal examples of the variety of contemporary developments in musical notation.
our language differently. Our Personhood is signaled by how we embellish our language to make it maximally individualized. By language embellished, I. "
-Stuart Saunders Smith
This is a work for spoken word with percussive sounds in the third and fourth movement.
Number of Players: 1
Difficulty: Grade 5
Instrumentation:
2 Radios
Glass
Three Metronomes
Deck of Cards
Chopsitkcs
Hack-Saw Blade
Table Knife
Empty Can
Two pieces of Sandpaper
Typewriter
Thirty pennies
A Cup
Metal Teapot.
Three Empty Cans
Large Cardboard Box Medum Sized Saucepan
Smooth Stone
Stuart Saunders Smith is an American composer, editor, and poet. He earned a DMA in composition at the University of Illinois, he studied with Edward Miller, Edward Diemente, Slavatore Martirano, Herbert Brün and Benjamin Johnston. Smith has come to create a diverse and unusual body of musical and literary compositions. His music is impressive in both the breadth of its scope and the richness of its diverisfication. As a reflection of the multiplicity, his scores themselves stand out as exciting and orginal examples of the variety of contemporary developments in musical notation.
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