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Bosphorus worked for two years with Stanton on the development of his signature series cymbals. The results capture the funky, earthy quality of Stanton's trademark sound. The tops are traditionally lathed with warm tonal grooves, while the bottoms are lathed with the distinctive wider ridges associated with the Bosphorus New Orleans series. The sound is 100% Stanton--raw, and aggressive, but always musical and extremely funky. The Trash Crash features uneven wobbly edges and deeply hammered pockets on the playing surface. The sound is trashy, as the name implies, but warms enough to ride on. Together this series gives Stanton the kind of balanced attack he requires as he takes traditional second line drumming into tomorrow.
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