Tap Space Publications
Parks/Ratliff-Blue Book vol. 2, The
James Campbell and his former students are back at it with a second volume of the The Blue Book. 48 authors (including Mr. Campbell himself) have contributed a total of 56 ind...
Parks/Ratliff-Blue Book vol. 3
In yet another extraordinary collection, James Campbell and his cohorts from the University of Kentucky present The Blue Book - Volume 3! Over forty composers (including Mr...
Monkman-Parody-M
Parody is a reflection on an event in the life of composer Jesse Monkman. While this event remains anonymous, the reactions of the composer during the event are inten...
Gay-Pedal to the Kettle
Timpani lessons seeming a little sluggish? Pauken solos need some revving up? Pedal to the Kettle by Kirk J. Gay goes under the hood to address the demands placed on to...
Casella/Ancona-Up Front
Up Front by Jim Casella and Jim Ancona explores the numerous details of a successful front ensemble. Topics included are: equipment, instrument ranges, transporting, in...
Sieff-Chopstakovich-SD/audio
Jesse Sieff's Chopstakovich provides the performer with a great opportunity to display both technical prowess and musicality on the marching snare drum. It is designed to be p...
Gaines-Sequential Studies for Four-Mallet Marimba Level 2
Julia Gaines' Sequential Studies for Four-Mallet Marimba (Book 2) continues the pedagogical quest to produce well-rounded, musical marimbists. In this more streamlined and nic...
Peters, K.-Soundscapes (Tapspace Edition)
Accomplished educator and performer Kyle H. Peters presents Soundscapes - a colorful, musically-diverse set of 18 etudes for solo marimba. These etudes are designed to help...
Howarth-Simply Four
From Gifford Howarth is this fantastic four-mallet method book called Simply Four . Finally, a clear-cut method on the fundamentals of four-mallet percussion techniqu...
Casella-Technology (SP)-B/X/3T/P
Technology by Jim Casella is written for eight percussionists of intermediate to beginning skill levels. Based on a "techno" groove, this piece is sure to be a hit among high ...
Blume-Rooted-B/P/Prerecorded track
Rooted by Brian Blume is a contemporary, advanced percussion solo with audio track accompaniment inspired from Blume's personal reflection on life, the changes he has under...
Mueller-Big Adventure (SP)-B/V/X/M/DS/P/PN/BG
Brian Mueller's Big Adventure was written in 2017 for the Middle Tennessee State University front ensemble. In it, Mueller uses many common keyboard percussion techniques so t...
Wharton-Kingdoms-SD/Audio Track/Optional Video
When writing Kingdoms, Russell Wharton found inspiration in film and television, stating about his process: "I find myself envisioning a movie in my head, and simply attemp...
McNutt-Vacant Lot Sessions (S)-Drumline
Vacant Lot Sessions comes from the 1993 Drum Corps International percussion champions Star of Indiana and arranger Colin McNutt. 1993 was the final year of Star of I...
Beck, M.-Trio (SP)-P
Mitchell Beck wrote his Trio for percussion with the goal of composing a piece that uses relatively inexpensive instruments and has a compact setup. Some of the instruments us...
Holmes-Snow Globe-V
Snow Globe by Benjamin Holmes is a solo for vibraphone drawing its inspiration from wind-up snow globes and music boxes. The musical material of this piece consists of diff...
Casella/Gusseck-Fresh Perspectives for the Modern Drum Line
Take an inside look at one of the most innovative marching percussion programs in the world, with Fresh Perspectives for the Modern Drumline ! Written by head SCV percus...
Various-Violent Tenor Cream-tenors
Violent Tenor Cream is a collection of some of the sickest tenor solos and ensembles ever known to the world of quad drumming. Attention tenor bangers and rudi...
Koors-Sonata for Susan-X or M
Sonata for Susan by Zach Koors was composed in December of 2015 as a gift for his undergraduate professor, Susan Powell. Since Susan has specialized in xylophone ragtime th...
Mueller (arr.)-Be Thou My Vision-M
Be Thou My Vision, a traditional Christian hymn from Ireland, is now a staple song in modern sacred music. In Brian Mueller's warm and lyrical arrangement for a 4.3-octave ...
