Malpica-Exabruptos 1 (2S)-V/P/CL - Product Information
This work for clarinet and percussion would be well suited for your next recital. Exabruptos 1 explores many sonic combinations for a wide range of effects and emotions. Its 6 minute duration makes it well suited for many performance situations.
Number of Players: 2
Difficulty: Grade 5
Instrumentation:
Player 1:Bb Clarinet
Player 2: Vibraphone, 3 Woodblocks, Bongos, 3 Tom Toms, Bass Drum
Peruvian composer Pedro Malpica has been performed in North America, Latin America and Europe, by ensembles such as the Peruvian National Symphony Orchestra, the Puerto Rico Symphony Orchestra, the Uninorte Orchestra of Paraguay, ALEA III, the Hellenic Group of Contemporary Music, NEXTET, the Cygnus Ensemble, The TALEA Ensemble, The Juilliard Pierrot Ensemble, and ECCE, in important venues and festivals such as the Tsai Performance Center, Alice Tully Hall (Lincoln Center), Paine Hall (Harvard University), the Juilliard School, the Oberlin Conservatory, the Composers Conference at Wellesley College, the CrossSound Festival in Alaska, Morelia Música Nueva, the III, IV and VI Festival de Música Clásica Contemporánea de Lima, and the II Festival de Música Contemporánea de Asunción, among many others. His music has been described as "…a storm of blurry, jagged sound that seems to come from some distant, dangerous past... perhaps the strongest of an evening of generally strong work," (David Salvage, Sequenza21), as well as "... impressive work… reaches hypnotic levels..." (Distinguished conductor Carmen Moral, Lundero Magazine)
Number of Players: 2
Difficulty: Grade 5
Instrumentation:
Peruvian composer Pedro Malpica has been performed in North America, Latin America and Europe, by ensembles such as the Peruvian National Symphony Orchestra, the Puerto Rico Symphony Orchestra, the Uninorte Orchestra of Paraguay, ALEA III, the Hellenic Group of Contemporary Music, NEXTET, the Cygnus Ensemble, The TALEA Ensemble, The Juilliard Pierrot Ensemble, and ECCE, in important venues and festivals such as the Tsai Performance Center, Alice Tully Hall (Lincoln Center), Paine Hall (Harvard University), the Juilliard School, the Oberlin Conservatory, the Composers Conference at Wellesley College, the CrossSound Festival in Alaska, Morelia Música Nueva, the III, IV and VI Festival de Música Clásica Contemporánea de Lima, and the II Festival de Música Contemporánea de Asunción, among many others. His music has been described as "…a storm of blurry, jagged sound that seems to come from some distant, dangerous past... perhaps the strongest of an evening of generally strong work," (David Salvage, Sequenza21), as well as "... impressive work… reaches hypnotic levels..." (Distinguished conductor Carmen Moral, Lundero Magazine)
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