Cahn-Nara - Product Information
Five movement suite, for solo percussion, inspired by a visit to the city of Nara in Japan. Instrumentation: tom toms, timpani (1), bass drum, crotales, temple blocks, chimes (C & F#), cowbells ,triangles, tam tam, wind chimes and cellophane paper.
Number of Players: 1
Difficulty: Grade 5
Instrumentation: 4 Crotales (D, Eb, F, Gb), 2 Temple Blocks, 2 Chimes (C, F#), Chromatic Pitch Pipe, 4 Tom-Toms, Bass Drum, Cowbell, 2 Triangles, 1 Timpani, 1 Almglocken, Tam-Tam, Wind Chimes, Sleigh Bells, Cellophane Paper, Cloth
Bill Cahn has been a member of the NEXUS percussion group since 1971, and was principal percussionist in the Rochester Philharmonic Orchestra from 1968 to 1995. Born in Philadelphia in 1946, Bill has performed with conductors, composers, ensembles, and artists representing diverse musical styles - Chet Atkins, John Cage, Aaron Copland, Chuck Mangione, Mitch Miller, Seiji Ozawa, Steve Reich, Doc Severensen, Leopold Stokowski, Igor Stravinsky, and Paul Winter. He has conducted programs with symphony orchestras, and his compositions for solo percussion, percussion ensemble and percussion with orchestra/band are widely performed. His fourth book, "Creative Music Making," on freeform improvisation was published by Routledge Books in 2005.
Number of Players: 1
Difficulty: Grade 5
Instrumentation: 4 Crotales (D, Eb, F, Gb), 2 Temple Blocks, 2 Chimes (C, F#), Chromatic Pitch Pipe, 4 Tom-Toms, Bass Drum, Cowbell, 2 Triangles, 1 Timpani, 1 Almglocken, Tam-Tam, Wind Chimes, Sleigh Bells, Cellophane Paper, Cloth
Bill Cahn has been a member of the NEXUS percussion group since 1971, and was principal percussionist in the Rochester Philharmonic Orchestra from 1968 to 1995. Born in Philadelphia in 1946, Bill has performed with conductors, composers, ensembles, and artists representing diverse musical styles - Chet Atkins, John Cage, Aaron Copland, Chuck Mangione, Mitch Miller, Seiji Ozawa, Steve Reich, Doc Severensen, Leopold Stokowski, Igor Stravinsky, and Paul Winter. He has conducted programs with symphony orchestras, and his compositions for solo percussion, percussion ensemble and percussion with orchestra/band are widely performed. His fourth book, "Creative Music Making," on freeform improvisation was published by Routledge Books in 2005.
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