Buss-Escapade (SP)-B/V/X/M/4T/P/ASX

This colorful and inventive composition explores a sequence of emotional states which develop over a talea, a fixed pattern of time values. Except during the extended saxophone cadenza, this repeating rhythmic pattern can be heard throughout the work in varying degrees of intensity. At times it is forcibly presented by the musicians moving in rhythmic unison. On other occasions the talea is fragmented and distributed among the players. Frequently this rhythmic pattern is embedded in the presentation of melodic material similar to the technique of isorhythm as it was employed by 14th-century masters such as Machaut and de Vitry. The continuous variation of the unifying talea coupled with the work's intriguing melodies and exotic timbral contrasts, make this an accessible and enjoyable concert work.

Number of Players: 5
Difficulty: Grade 3

Player I: Alto Saxophone

Player II: 4 Timpani, 5 Temple Blocks, Snare Drum, 2 Suspended Cymbals

Player III: Bells, Xylophone, Maracas, Triangle, 2 Cowbells, Suspended Cymbal, Chime Tree

Player IV: Marimba, Guiro, 2 Suspended Cymbals

Howard J. Buss (b. 1951) is recognized  internationally as a significant composer of contemporary classical music. His compositions have received critical acclaim and have been performed in more than 50 countries. His music is widely performed and frequently featured at national and international music conventions and festivals. They have been performed by faculty musicians from major universities as well as current and former members of prestigious organizations such as The Boston Symphony Orchestra, Minnesota Orchestra, Buffalo Philharmonic, Israel Philharmonic, Berlin Philharmonic, Vancouver Symphony,  Atlanta Symphony, New York Philharmonic, Chicago Symphony, etc.   A copy of his patriotic composition Fanfares is included in the Presidential Collection of Ronald Reagan. Buss' more than 120 published works include instrumental solos, chamber music, symphonic, choral, and band works. They are fast becoming part of the standard repertoire in concert halls.