Udow-Timbrack Quartet OS

Each performer has a like set-up of twelve idiophones, arranged on foam pads in a keyboard configuration; the keyboard notation thus specifies location of timbres rather than frequency; "call and response" and flamenco-like sixteenth note inner-weaving of the voices (including a section for claves sounding like a gathering crickets) is the operative style for this work which ends in a lively, syncopated, unison crescendo.