Multi Percussion Solo Sheet Music

Adams, T.-Tears-4 concert toms

Tears for 4 concert toms is a new work by Timothy Adams, Jr. This multi-metered work is a great study in movement and timing. Number of players - 1 Difficult... 

Dior-Till the Cows Come Home-P

Till the Cows Come Home by Rick Dior for solo timbales with foot percussion. This piece will help hone your Afro-Cuban independence skills in a fun and musical way. Scored for... 

Ward-Lucid Dreaming--P

Lucid Dreaming by Scott Ward provides a sonic representation of a lucid dream, in which one has both control of their thoughts and ideas while still being in a dream state. Se... 

Martynciow-Impressions P

Impressions for side drum and two tom-toms lasts about eight minutes, making it one of the longest pieces ever written for the side drum. The last work of comparabledim... 

Wallin-Stonewave (Solo version)-P OS

The last few years I have become increasingly involved in some peculiar mathematical formulas called "fractals". These formulas, used in the fastgrowing field of "Chaos theory... 

Jones-Jerusalem 1099-P OS

Jerusalem 1099 by Brett Jones is a mulitple percussion solo which depicts the Crusaders' capture of Jerusalem in the year 1099. It is also symbolic of our earthly jour... 

Beck-West Side Impressions P

Number of Players: 1 Difficulty: Grade 5 Instrumentation: Bass Drum w/pedal, 2 Timbales (or Tom-Toms), Snare Drum, 2 Bongos, Suspended Cymbal  

Kaneko-Le Temps Tordu III-P

"Le Temps Tordu III" was composed by Hitomi Kaneko to be used an examination piece for the percussion class at the Tokyo Gauken School of Music, Tokyo, in July 1998. It is rhy... 

Beck, M.-Yep-M/P

Yep by Mitchell Beck is a quick and disorienting multi-percussion exploration through a wide variety of emotions and musical styles. From intensely aggressive to reserved a... 

Stockhausen-#9 Zyklus-P/M/V OS

Karlheinz Stockhausen wrote Zyklus in 1959 as a test piece for the Kranichstein Music Competition. This seminal piece was one of the earliest multiple percussion solos and spa... 

Volans-Akrodha for Solo Percussion-P

As is often the case with percussion music, this piece was written blind, so to speak: the first draft is little more than a proposal to the percussionist who lets the compose... 

Burritt-Sticks of Eloquence-P/T/C

Sticks of Eloquence is a well rounded multi solo that will provide many challenges. The piece begins with a dramatic statement with alternating chime glisses and temple and cy... 

Meyer-Criminal Intentions-B or Cro./P

Criminal Intentions by Brad Meyer is the story of a late-night jewelry thief who gets caught. The first section represents the criminal conceiving of the plan to enter the sto... 

Ishii-Thirteen Drums-P OS

"Thirteen Drums" is a groundbreaking work for the multi-percussion genre. Ishii's instrumentation is somewhat limited in it's scope, however the rhythmic structure and form m... 

Keown-Constructive Interference-P

Constructive Interference by Alan Keown for solo multi-percussion. In physics, interference is a phenomenon in which two waves superimpose to form a resultant wave of greater ... 

Cage-27' 10.554" for a Percussionist-P OS

This is the last work in Cage's '10 000 things' series.Percussion instruments are divided into four groups: metal (M), wood (W), skin (S) and all others (A) e.g. electronics, ... 

Kamstra-Temple Mountain-5T/P

Inspired by the topography and history of Temple Mountain, Utah, Temple Mountain by Darin Kamstra is an exciting work for the experienced timpani soloist requiring extended... 

Tuur-Motus I-M/P OS

Motus I by Erkki-Sven Tuur is percussion solo that requires 3 temple blocks, 3 tom-toms, a tam-tam, and a 5 octave marimba. This piece is dedicated to Peter Sadlo. Duration: 9... 

Zivkovic-CTPAX: STRAH (CD only)

This item includes only the accompaniment CD. This composition, in homage to D. Shostakovich, was conceived as a solo for percussion instruments with three tape-recorde... 

Peters-Etude #1-P

Mitchell Peters applies a very musical style to this basic work for four toms. Dynamic contrast and metric changes keep this piece interesting to the audience and performer....